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Drug Policy Experts Reveal 2 Very Pragmatic Legalization Models–Even Opponents Could Support

August 22, 2016 by www.inc.com Leave a Comment

After 45 years of petitions, changing federal marijuana law has proven difficult , but two drug policy experts have at least two different models of legalization that Congress might be able to get behind .

The case for empowering states:

Mark Kleiman , a professor of public policy and the director of the Crime Reduction and Justice Initiative at New York University’s Marron Institute, proposes that the federal prohibition on marijuana remain in place but the state experiments with regulated adult markets should be formalized. The program could operate through state waivers, similar to welfare reform waivers. Kleiman adds that this could be easily adopted without requiring Congress to do much.

“There is a federal paraphernalia statute that says you can’t sell water pipes and stuff unless they are legal in the state you’re selling them in. Congress could create a waiver that says you can’t sell marijuana unless you’re in a state where it’s legal,” says Kleiman.

Kleiman’s ideal plan, which has not been adopted, is a less extreme than full-blown commercialization. Kleiman’s company, BOTEC Analysis, was contracted to advise Washington state regulators and rule-makers before legalizing marijuana for adult use. He believes states should make marijuana available to people for responsible use, as it would put an end to marijuana-related arrests, minimize drug abuse and block sales and marketing to minors. By contrast, he says full-blown commercialization–like what’s in place in the alcohol industry–will be ” dependent on dependent users ” and free market forces will lead to companies maximizing profits by maximizing consumption. That, he says, is bad for the public.

More on Kleiman’s state-waiver idea: the 25 states that have some form of regulated marijuana right now would get a waiver from the attorney general and the secretary of the Department of Health and Human Services. Of course, the states would need to present a plan to control abuse, diversion, underage consumption, and set rules like monthly quotas for customers and other factors.

Kleiman also proposes state-owned stores, a model some states have adopted for liquor stores. When states receive a waiver, they would have to agree to certain provisions like no more than 5 percent of the crop gets exported to other legal states, that the price doesn’t fall below a certain threshold, and marketing of certain kinds are not allowed. Kleiman says the regulatory program would be expected to do just as well at preventing so-called cannabis-use disorders than prohibition.

“The reason why Congress might go with the waiver idea is so we are not locked in a single national commercial system before we know anything about the impacts of legalization,” says Kleiman. “We should use the laboratory of the states to learn as much as we can about legalization.”

The case for all or nothing:

John Hudak , senior fellow at the Brookings Institute, says federal prohibition has caused a range of serious problems for society, especially as minorities continue to be disproportionately effected by arrest and prosecution. The current model, where half the states have legalized some form of marijuana and the federal government has only made slight policy changes while keeping the drug in the same category as heroin, has created “incoherent public policy,” he says.

State-legal marijuana businesses have to pay taxes under a tax code created for illegal drugs dealers , which doesn’t allow them to take most traditional business deductions. Illegal marijuana businesses, rather, typically aren’t forthright about the nature of their revenues, allowing them to circumvent these restrictions, Hudak says. The effect is legal marijuana business pay higher taxes and face an outsized financial burden compared to people in the black market. Further, employees of national companies can be fired for using marijuana legally. FDIC-insured financial institutions, credit card companies and payment processors are still apprehensive about serving the industry, which forces most businesses to conduct transactions in cash .

These issues encourage armed robberies and money laundering, says Hudak, who adds: “How do you justify that as effective public policy?”

As such, he proposes going further than just state-level reform. “You either have legal marijuana, or you don’t,” says Hudak. “I think the state-level reforms are important, but the right legalization model would give states some freedom, a range in which they can operate, but fix certain issues that are federal in nature, like banking and taxes and criminal justice issues. These issues have to be addressed in concert with state-level reforms. Otherwise, you get a nonsensical public policy that works to a limit and then no longer works.”

While legalization is still hotly debated on Capitol Hill, Hudak points out that Congress has already tweaked federal policy. Consider the Rohrabacher-Farr Amendment , a federal spending bill rider passed in 2014, which prevents the Justice Department from interfering with state medical marijuana laws.

If the federal government wants to perpetuate certain aspects of prohibition, he says, it shouldn’t let states reform. But since the federal government has tolerated state-level reform, Hudak argues, Congress has a responsibility to involve itself with reform.

“Coherent policy at the state and federal level is better than incoherent policy in every case, it’s not unique to marijuana,” says Hudak.

Why neither idea has taken root:

Kleiman says another pathway to legalization could be created if Congress writes an exemption for cannabis under the Controlled Substances Act. They would also have to write a separate law regulating cannabis, like Congress did with alcohol and tobacco. The chances of that happening soon is slim, he says.

“It’s clear you can’t get cannabis legalization through this Congress, but it’s also clear you can’t get cannabis prohibition through this Congress,” says Kleiman. “The status quo bias makes it’s hard to get anything through.”

Fifteen years ago, public opinion was not in favor of legalizing marijuana. As attitudes and culture around drugs and policing change, politicians and citizens are questioning the merits and effects of President Richard Nixon’s “War on Drugs.”

“A lot of Americans, for the first time, are thinking about weighing the costs and risks [of prohibition and legalization] in a more sober way,” says Hudak. “They are doing so through the lens of seeing experimentation around the country, not through the lens of government-controlled rhetoric through a drug war.”

Perhaps the biggest obstacle to get around is the unknown:

“Forty years from now we will know if cannabis legalization was a good thing or not,” says Kleiman. “There are too many effects, too many long-term things, too many cross interactions, too many unknowns. Everyone in the world says they know if cannabis legalization is a good thing or bad thing, except for the six of us who study it for a living.”

Filed Under: Grow Global Commission on Drug Policy, transform drug policy foundation, drug policy, drug policy alliance, The Drug Policy Alliance, policy expert, Drugs policy, drug recognition expert, New Drug Policy, reviews policy expert home insurance

Elvis made a chilling cry for help when he was ‘pushed to perform exhausting tours in the months before his death’

June 24, 2022 by www.thesun.co.uk Leave a Comment

ELVIS Presley made a chilling cry for help while being pushed to perform gruelling tour dates despite his escalating drug addiction in the months before his death, the star’s stepbrother has revealed.

In an exclusive interview, David E Stanley said his brother’s manager Colonel Tom Parker – played by Tom Hanks in a new movie about the star – treated the iconic singer as a “product” and took little care of his well-being.

It comes as Baz Luhrmann’s new biopic, Elvis, – out on Friday – explores the complicated dynamic between Elvis and his infamous manager.

David, who worked for the King from 16 as a bodyguard and tour manager, saw first-hand how an increasingly desperate and drug-dependent Elvis would question his exhausting schedule.

“He would go on stage weighing 255 lbs and do 20 shows in 20 nights,” David told The Sun.

“He’d be exhausted, frustrated and said to me beforehand, ‘What are we doing here? Why are we here?’

“I was there when Elvis enjoyed the great moments – the 1969 Vegas and 1972 tour film.

“But Elvis in 76 and 77 had no business being on stage – he should have been in rehab.

“He should have been pushed to get it together.

“Nobody could stop an addict, but what kind of manager puts him on the road?”

David recalled Elvis’s drug habits spiraled out of control in the last two years before his August 16, 1977 death – as he felt controlled and trapped by Parker.

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He claimed Parker dashed Elvis’s hopes of doing a European tour, as well as turning down movie offers and considerable deals in Saudi Arabia and Australia – in favor of playing cost-effective United States gigs, pushing him to perform until June 26, 1977, just weeks before his death.

SELF DESTRUCTIVE

Elvis would knock packs of pills to ward off depression, stress, and angst at how his career was suffering, his body was breaking down, and his mind was “burned out,” David said.

A Memphis coroner and medical probe found Elvis was prescribed an incredible 8,805 pills and injectable drugs, including powerful painkillers taken at a rate only expected in terminally ill cancer patients.

Drugs seemed to be his only faithful friend.

Elvis’s stepbrother David E Stanley

“He was totally in denial,” David, now an author and filmmaker said.

“But by then, drugs seemed to be his only faithful friend.

“I cannot tell why he self-destructed. That is a mystery – because it went from use to abuse.

“At the end of his life, he was taking 33 sleeping pills and nine shots of Demerol just to sleep in a 24-hour span.

“And as well topping up on things like amphetamines, codeine, morphine, diazepam and Placidyl.

‘HE FELT CAGED’

“I would not go down the path of saying Colonel drove him to the drugs.

“Elvis killed Elvis. But Elvis definitely felt he was caged and held back by the Colonel, which impacted his mindset.”

David recalls how he witnessed Elvis’s drug habits slowly escalate over the years.

“When I first saw him taking medications I thought he needed them and was not out of control during the early 70s,” David said.

“But then, over time, I see him upping sleeping pills from two to four..and more and more. 1972, 73 and 74, he was holding it together and thought doctors told him it was okay.

“But by 75, he was losing his way and then it got out of control. I knew he was taking too many Quaaludes and Placidyls.”

David feels that had he hung on to his life in the late 70s, the advances in drug rehabilitation treatments could have saved him.

‘HE NEEDED HELP’

And he said humble Elvis would be shocked that he could still be such a big star even decades after his death.

“The Betty Ford clinic and facilities like that with specialists would have been able to help him,” he said.

“Had they been around when he was enduring his addictions, then he would be alive.

“When I went to work for Elvis, aged 16, he didn’t cuss, drink, smoke, take drugs and he loved his mum, Priscilla and his kids.”

Elvis’s stepbrother David E Stanley

“He just needed to recall what he could be without the drugs.

“When I went to work for Elvis, aged 16, he didn’t cuss, drink, smoke, take drugs, and he loved his mum, Priscilla and his kids.

“Elvis was unique. He was a good American boy made good; he served his country, loved his mother and was spiritually driven.

“He changed the world with rock and roll. People in America look at him as the American dream…

“I do not think Elvis would comprehend that he could still be this big, even if he was alive.”

NEW MOVIE

David has spent the last four decades speaking about his older brother worldwide and is re-releasing his film Protecting the King about his last five years, “from the moments of glory to the tragic demise.”

He also wrote a book, My Brother Elvis The Final Years, which gives a candid glimpse at his life with Elvis and his self-destructive demise.

Now David says he hopes the new Baz Luhrmann movie, starring Austin Butler as the King of Rock and Roll, helps Elvis’s stars to “shine again.”

“I hope that this new movie is great,” he said.

“I could not be more proud to be Elvis’ brother, and they made a movie.

“I am hoping that is entertaining and revealing and that the superstar shines again and his talent beams.

“I know Priscilla admitted that she thought it was like seeing him there again, but as great as it is, it will never be like watching Elvis doing it in front of me.

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“I just hope that it’s as good as Priscilla says.”

The Sun contacted the Elvis Presley Charitable Foundation at Graceland for comment.

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Anne Heche Dies After Being Taken Off Life Support

August 15, 2022 by www.breitbart.com Leave a Comment

LOS ANGELES (AP) — Anne Heche, the Emmy-winning film and television actor whose dramatic Hollywood rise in the 1990s and accomplished career contrasted with personal chapters of turmoil, died of injuries from a fiery car crash. She was 53.

Heche was “peacefully taken off life support,” spokeswoman Holly Baird said in a statement Sunday night.

Heche had been on life support at a Los Angeles burn center after suffering a “severe anoxic brain injury,” caused by a lack of oxygen, when her car crashed into a home Aug. 5, according to a statement released Thursday by a representative on behalf of her family and friends.

She was declared brain-dead Friday, but was kept on life support in case her organs could be donated, an assessment that took nine days. In the U.S., most organ transplants are done after such a determination.

A native of Ohio whose family moved around the country, Heche endured an abusive and tragic childhood, one that helped push her into acting as a way of escaping her own life. She showed enough early promise to be offered professional work in high school and first came to prominence on the NBC soap opera “Another World” from 1987 to 1991, winning a Daytime Emmy Award for the role of twins Marley and Vicky Hudson, who on the show sustained injuries that anticipated Heche’s: Vicky falls into a coma for months after a car crash.

By the late 1990s Heche was one of the hottest actors in Hollywood, a constant on magazine covers and in big-budget films. In 1997 alone, she played opposite Johnny Depp as his wife in “Donnie Brasco” and Tommy Lee Jones in “Volcano” and was part of the ensemble cast in the original “I Know What You Did Last Summer.”

The following year, she starred with Ford in “Six Days, Seven Nights” and appeared with Vince Vaughn and Joaquin Phoenix in “Return to Paradise.” She also played one of cinema’s most famous murder victims, Marion Crane of “Psycho,” in Gus Van Sant’s remake of the Alfred Hitchcock classic, and co-starred in the indie favorite “Walking and Talking.”

Around the same time, her personal life led to even greater fame, and both personal and professional upheaval. She met Ellen DeGeneres at a 1997 Vanity Fair Oscar party, fell in love, and began a 3-year relationship that made them one of Hollywood’s first openly gay couples. But Heche later said her career was damaged by an industry wary of casting her in leading roles. She would remember advisers opposing her decision to have DeGeneres accompany her to the premiere of “Volcano.”

“We were tapped on the shoulder, put into her limo in the third act, and told that we couldn’t have pictures of us taken at the press junket,” Heche said in 2018 on the podcast Irish Goodbye.

After she and DeGeneres parted, Heche had a public breakdown and would speak candidly of her mental health struggles.

Heche’s delicately elfin look belied her strength on screen. When she won the National Board of Review’s 1997 best supporting actress award, the board cited the one-two punch of “Donnie Brasco” and the political satire “Wag the Dog,” in which Heche portrayed a cynical White House aide and held her own against film great Robert De Niro.

Heche also called effectively on her apparent fragility. In 2002 she starred on Broadway in the play “Proof” as a woman fearful of losing her sanity just like her father, a brilliant mathematics professor. An Associated Press review praised her “touching performance, vulnerable yet funny, particularly when Catherine mocks the suspicions about her mental stability.”

In the fall of 2000, soon after her breakup with DeGeneres, Heche was hospitalized after knocking on the door of a stranger in a rural area near Fresno, California. Authorities said she had appeared shaken and disoriented and spoke incoherently to the residents.

In a memoir released the following year, “Call Me Crazy,” Heche talked about her lifelong battles. During a 2001 interview with TV journalist Barbara Walters, Heche recounted in painful detail alleged sexual abuse by her father, Donald Heche, who professed to be devoutly religious and died in 1983 from complications of AIDS. Heche described her suffering as so extreme she developed a separate personality and imagined herself descended from another planet.

In the final days of his life, Heche said, she learned he was secretly gay and that she believed his inability to live honestly fueled his anger and hurtful behavior. Not long after her father died, her brother Nathan — one of her four siblings — was killed in a car crash.

“I’m not crazy. But it’s a crazy life. I was raised in a crazy family and it took 31 years to get the crazy out of me,” Heche told Walters. In an effort to escape the past, “I drank. I smoked. I did drugs. I had sex with people. I did anything I could to get the shame out of my life.”

Heche dated Steve Martin in the 1990s, and is widely believed to have inspired the childlike but ambitious aspiring actor played by Heather Graham in his Hollywood spoof “Bowfinger.” She later had a son with camera operator Coleman Laffoon, to whom she was married from 2001 to 2009. She had another son during a relationship with actor James Tupper, her co-star on the TV series “Men In Trees.”

Heche worked consistently in smaller films, on Broadway, and on TV shows in the past two decades. She recently had recurring roles on the network series “Chicago P.D.” and “All Rise,” and in 2020 was a contestant on “Dancing With the Stars.”

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ResearchKit may go beyond individual studies, open up era of ‘open-source’ medical research

March 19, 2015 by 9to5mac.com Leave a Comment

researchkit-future

We’ve already seen the potential of Apple’s ResearchKit platform to sign up large numbers of participants to medical studies in an incredibly short time , but a reported conversation between the founder of an open science non-profit and an Apple VP suggests that the potential goes far beyond this.

Fusion, in an extensive profile , reports that Apple may be intending to collect anonymised health data in a central database accessible to medical researchers around the world, enabling each to benefit from that shared data to forward their own studies. The vision was initially put forward at a conference back in September, long before ResearchKit was announced, by Stephen Friend, the founder of Seattle-based Sage Bionetworks, a nonprofit that champions open science and data sharing.

“Imagine ten trials, several thousand patients. Here you have genetic information, and you have what drugs they took, how they did. Put that up in the cloud, and you have a place where people can go and query it, [where] they can make discoveries.” In this scenario, Friend said, patients would be able to control who could access their information, and for which purposes. But their health data would be effectively open-sourced.

Apple reportedly took an immediate interest in the idea …

Mike O’Reilly, Apple’s VP for medical technologies, was at the conference.

After Friend’s talk, O’Reilly approached the doctor, and, in typical tight-lipped Apple fashion, said: “I can’t tell you where I work, and I can’t tell you what I do, but I need to talk to you.”

Friend is said to have made “frequent trips to Cupertino” following that conversation.

While there will always be unease about the security of shared medical data, Bernard Munos, founder of the Innothink Center for Research in Biomedical Innovation, believes that Apple may be in the perfect position to champion the approach.

“No one wants to entrust their health data to a company that’s going to sell them to the highest bidder, and the highest bidders usually include the worst privacy abusers. Apple has taken a very principled stance,” Munos added. “It’s the kind of reassurance people need.”

Friend agrees.

Companies like Google and Facebook “make their power by selling data…They get people information about other people,” Friend told me. “Apple has said, ‘We will not look at this data.’ Could you imagine Google saying that?”

It’s not clear whether this meeting is what led to the development of ResearchKit, or whether Apple was already working on it and saw the potential for expanding the idea. Apple, of course, won’t say, but if this happens, it has the potential to transform the way in which medical research is performed. Fusion’s entire report is worth a read .

Apple first announced ResearchKit at its Spring Forward event in early March, with five apps enabling people to participate in studies for asthma , Parkinson’s disease , diabetes , breast cancer , and cardiovascular diseases .

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Netflix’s Sandman, Apple’s Five Days among great shows to stream this week

August 14, 2022 by www.stuff.co.nz Leave a Comment

Listen to the Stuff To Watch podcast by hitting the “play” button below, or find it on podcast apps such as Apple or Spotify .

BLACK BIRD (APPLE TV+)

Those who have followed Taron Egerton’s career on the big screen are in for a shock.

The British actor most famous for playing Elton John, Eddie the Eagle and Kingsman’s Eggsy has significantly bulked-up for his latest role in this six-part, true crime drama . The 32-year-old looks chiseled and buff as he portrays the series protagonist – and author of the 2010 autobiographical novel on which it is based – James Keene.

Initially sentenced to 10 years in a minimum-security prison for drugs and firearms offences, he is given “the choice of the lifetime”. Either serve out his full sentence with no possibility of parole, or enter a maximum-security prison for the criminally insane and befriend a suspected serial killer.

While the directing is split between former directors of The Wire and The Drop, it’s veteran crime writer Dennis Lehane’s (Mystic River) script that really shines. Memorable dialogue abounds, while mystery and intrigue deepen with every scene and you find yourself drawn into both the investigation and Keene’s conundrum, until you’re completely engrossed by it all and pushing yourself to watch “just one more episode”.

FIVE DAYS AT MEMORIAL (APPLE TV+)

It was the storm some long feared. A Category 5 hurricane that would leave more than 1800 people dead and cause around US$125 billion worth of damage.

Almost two weeks after Hurricane Katrina’s devastating arrival on August 29, 2005, and it was still easier to navigate many of the neighbourhoods of New Orleans by outboard-motor-powered dinghy than car.

As John Ridley and Carlton Cuse’s haunting and sometimes harrowing adaptation of Sheri Fink’s Pulitzer Prize-winning non-fiction book opens, health officials arrive at the now abandoned Memorial Medical Center.

However, amongst the expected debris and water damage is a shocking discovery – 45 bodies, split between the chapel and the second-floor walkway. As the investigators subsequently quiz veteran internal medicine specialist Dr Horace Baltz (Robert Pine) as to how this could have happened, he recounts the nightmarish 120 hours staff, patients and the thousands sheltering their endured as one of the worst storms in US history took its toll on the 80-year-old building.

Criss-crossing between various departments, crises little and large and the growing chaos around them, Five Days at Memorial reminds of you of perhaps the greatest US medical drama of all-time – ER. Ridley and Cuse quickly establish the disparate personalities of their main characters, making sure to humanise them, all while still keeping the emphasis on the unfolding disaster.

VARIOUS
Eight great shows to stream this week.

READ MORE: Five fabulous, under-rated Melanie Lynskey performances (and where you can watch them) Nope, Bullet Train and Disney+’s Prey among August’s must see movies Disney’s She-Hulk, Neon’s House of the Dragon, Netflix’s Sandman among August’s must see TV

THE MOST HATED MAN ON THE INTERNET (NETFLIX)

Three-part docu-series which follows one woman’s mission to take down the self-styled “King of Revenge Porn” after nude photos of her daughter were posted online.

A self-proclaimed “professional life ruiner”, Hunter Moore was particularly notable in refusing any and all takedown requests and was dubbed “the most hated man on the internet” in a 2012 Rolling Stone article . He was also known to hack email accounts, seeking out nude photos to post on the site.

Charlotte Laws conducted a two-year investigation, compiling evidence from more than 40 victims, before handing it over to the FBI.

“The series successfully frames the entire story as one about a bully and boaster who tangled with the wrong mom,” wrote The Globe and Mail’s John Doyle .

PAPER GIRLS (PRIME VIDEO)

With its tween protagonists, 1980s setting, American Mid-West backdrop and sci-fi stylings, it’s hard not to view this as Amazon’s answer to Stranger Things.

And indeed, the eight-part adaptation of Brian K Vaughan and Cliff Chiang’s comic-book series Paper Girls definitely leans into any comparison, filling its initial surroundings of 1988 Cleveland, Ohio with a plethora of pop-culture references, from Freddy Krueger and Teen Wolf costumes to walkmans and the ever-present threat of nuclear war.

An appealing mix of The Goonies, Stand By Me and the Terminator and Back to the Future series, Paper Girls delights with its diverse characters and twisting of traditional ‘80s teen and tween movie tropes. Our central quartet are all more than one-note characters, displaying plenty of sass and chutzpah, while also laying bare their hopes, fears and respective brushes with racism, anti-semitism and other forms of abuse.

While perhaps not as slick – nor scary – as the Duffer brothers’ world-conquering Netflix series , Paper Girls is maybe a more inclusive, thought-provoking coming-of-age tale – and all the more impactful for it.

PLAYERS (TVNZ+)

Ten-part mockumentary which follows a fictional pro-Leauge of Legends e-sports team, as they set their sights on their first championship.

After years of close calls and heartache, Fugitive Gaming believe this will finally be their year. However, to win it all, they’ll need their 17-year-old rookie and their 27-year-old veteran to put their egos aside and work together.

“You don’t have to be a gamer to enjoy Players, even though the inside references will likely give gamers a smile,” wrote Collider’s Joel Keller . “It’s a classic story about the veteran being displaced by an overconfident rookie, and it’s one that’s executed well.”

RAP SH!T (NEON)

Insecure’s Issa Rae created this eight-part comedy about two estranged high school friends from Miami who come back together to form a rap group. Shawna Clark is stuck in a dead-end job at a hotel, while solo-mother Mia Knight is struggling to support herself and her four-year-old daughter. But when Shawna surprisingly invites Mia out for a drink, the unexpected happens.

“The jokes here pack a punch even when they tiptoe into corny territory, the visuals are smooth and the chemistry between the performers feels warm and familiar,” wrote The Hollywood Reporter’s Lovia Gyarkye .

THE SANDMAN (NETFLIX)

It’s the comic-book adaptation many thought would never see the light of day.

The one whose author once remarked that he would rather “no movie” made of it, rather than a “bad movie”. A project that, when first mooted, was being considered around the same time as Warren Beatty played Dick Tracy, Jennifer Connelly was dating The Rocketeer and production on the first big-budgeted Bat-sequel had hit the skids.

But despite a more than three-decade wait and a change in format to, an initial, 10-part TV series, Netflix’s take on Neil Gaiman’s beloved Sandman is an evocative, atmospheric and sumptuous-looking triumph.

Based on the first two volumes – Preludes & Nocturnes and The Doll’s House – Gaiman and his fellow writers The Dark Knight’s David S. Goyer and Wonder Woman’s Allan Heinberg initially do a quite brilliantly succinct job of world-building. Filled with impressive visual effects, top-notch production design and a gloomy aesthetic that may well give you nightmares, Sandman offers first-rate fantasy, for both avid fans and more casual streamers.

VICTORIA’S SECRET: ANGELS & DEMONS (PRIME VIDEO)

As this fascinating, enlightening and sometimes shocking three-part documentary series highlights, behind the “tits and glitz” of the mega-popular annual runway show was a darker side, as the infamous Jeffrey Epstein used his connections to CEO Les Wexner for his own nefarious ends. Posing as a recruiter, his behaviour was the subject of numerous complaints from as early as 1993, with Wexner accused of either ignoring them, sweeping them under the carpet, or both.

However, while just like the 10-part Secrets of Playboy series earlier this year, Matt Tyrnauer’s investigation rightly exposes the seedier side of this business empire, this also provides a fascinating look at the rise and fall of an iconic fashion brand. How did an Ohio businessman turn a faltering husband-and-wife passion project into a $7.5 billion enterprise and how did an apparently female-focused company fail to adapt and get so out of step with the times and women’s demands for them to look outside the “narrow band of beauty” they were seemingly selling?

Through new interviews with employees, fashion experts, designers and models, as well as extensive archival footage which includes internal videos and a 2017 sit-down with Wexner himself, you’ll learn about the intriguing history of both the man and the brand.

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