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Legend or real? Here are 4 scary creatures that some believe inhabit North America

March 21, 2023 by www.foxnews.com Leave a Comment

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Sasquatch watch: Bigfoot 'sightings' over the years Video

Sasquatch watch: Bigfoot ‘sightings’ over the years

Though no definitive proof exists, ‘sightings’ of Bigfoot have been reported all over the U.S., as recently as in January.

There are mysterious creatures of urban legend in U.S. and Canadian regions that have stood the test of time, both fascinating and frightening those who encounter the folklore surrounding them.

These creatures, known as “cryptids,” are reported throughout the United States and Canada. They play a significant cultural role in the history of many cultures and small towns.

Here’s a quick explainer — followed by a deep dive into four of them.

‘Cryptid’ explained

A “cryptid” is defined as “an animal (such as Sasquatch or the Loch Ness Monster) that has been claimed to exist but never proven to exist,” says Merriam-Webster.

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Stories of cryptids are popular for a multitude of reasons, Dr. Angus Kress Gillespie, a professor of American studies at Rutgers University in New Jersey , told Fox News Digital.

“We all love stories because they fire our imagination and they give us a break from our daily routines,” said Gillespie.

While the Loch Ness Monster is perhaps the most famous cryptid, similar sea monsters have been reported to live in Lake Champlain and the Chesapeake Bay, according to folklore experts.

While the Loch Ness Monster is perhaps the most famous cryptid, similar sea monsters have been reported to live in Lake Champlain and the Chesapeake Bay, according to folklore experts. (iStock)

“But these stories are especially fascinating because they are legends,” he said — and therefore they “force us to deal with the issue of belief .”

A person’s brain is not wired to “just sit on the fence” when it comes to a topic of belief, he explained. “Most of us will be either a believer or a skeptic.”

He added, “This, in turn, leads to some interesting debates among our family and friends .”

There’s also a “local pride” element, Gillespie said, when mysterious creatures drive tourism and interest in an area.

The creature known as "Bigfoot" in the United States has its roots in indigenous folklore. 

The creature known as “Bigfoot” in the United States has its roots in indigenous folklore. (JLFCapture/iStock)

“Most of us meet these monsters not in the field but at a festival,” he said.

Now — check out these four.

1. ‘Bigfoot’ or ‘Sasquatch’

Many Native American tribes in the Northwestern part of the U.S. and Canada have legends dating as far back as anyone can remember of similar ape-like creatures who walk on two legs.

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Some explorers claim to have taken photographs of this creature.

The photos, however, tend to appear blurry — leading to questions of authenticity, folklore specialists note.

This picture, taken by in May 1981 by wilderness explorer C. Thomas Biscardi, of San Jose, California, purports to show Bigfoot in the wild. 

This picture, taken by in May 1981 by wilderness explorer C. Thomas Biscardi, of San Jose, California, purports to show Bigfoot in the wild. (Getty Images)

The creature is known by many names, including “Bigfoot,” “Sasquatch” and “Wild man,” says the Encyclopedia Britannica.

Regardless of name, these creatures are reported to be up to 15 feet tall, to live in the woods and to communicate by shouting, that reference notes.

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They also play an important role in folklore.

The Sts’ailes, a sovereign Coast Salish First Nation located in British Columbia, Canada, called these creatures “Sa:sq’ets,” a word that was anglicized into “Sasquatch,” notes the Agassiz-Harrison Observer, a Canadian newspaper.

"Quatchi," a sasquatch, was one of the mascots of the 2010 Winter Olympics in Vancouve, seen here skating during the official opening of the GE Ice Plaza in Vancouver, Canada, on Nov. 3, 2009.

“Quatchi,” a sasquatch, was one of the mascots of the 2010 Winter Olympics in Vancouve, seen here skating during the official opening of the GE Ice Plaza in Vancouver, Canada, on Nov. 3, 2009. (Getty Images)

Sts’ailes Nation includes Harrison Lake, British Columbia and several surrounding towns.

The Sts’ailes believe that Sa:sq’ets are the caretakers of their lands and that they exist between both the physical and spiritual realms, said the paper.

The Sa:sq’ets is featured on the Sts’ailes tribal flag and is also used as a logo, said the website.

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The Village of Harrison Hot Springs, located on Harrison Lake, is home to the Sasquatch Museum and also hosts the annual “Sasquatch Days” celebration, the website notes.

2. The Mothman (and a bridge collapse)

Apart from the Sasquatch, arguably the most famous American cryptid is the Mothman.

The Mothman was reportedly first spotted by two couples on Nov. 15, 1966, near an abandoned National Guard Armory building and power plant in Point Pleasant, West Virginia , an article published by the Smithsonian Institution indicated.

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The creature was described as “a menacing figure standing six to seven feet tall” with glowing red eyes, notes the Smithsonian Institution.

The Mothman (which is believed to look like this image) was first spotted in November 1966. It was described as having batlike wings and red eyes.

The Mothman (which is believed to look like this image) was first spotted in November 1966. It was described as having batlike wings and red eyes. (iStock)

The Mothman reportedly rose in the air similar to the way a helicopter does — and was able to fly very efficiently, according to the first sightings.

The local media were stumped by the reports, with the Point Pleasant Register reporting the incident under the headline, “Couples See Man-Sized Bird … Creature … Something.”

The Athens Register in nearby Athens, Ohio, went with this headline: “Winged, Red-Eyed ‘Thing’ Chases Point Couples Across Countryside.”

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Eventually, the creature became known as the “Mothman.”

Over the next year, there were a handful of reports of sightings in and around Point Pleasant.

The town of Point Pleasant, West Virginia, hosts a Mothman festival each September. 

The town of Point Pleasant, West Virginia, hosts a Mothman festival each September. (Getty Images)

Point Pleasant, however, sadly became known for more than just the Mothman.

Thirteen months to the day after the initial Mothman sighting, the Silver Bridge — which linked Point Pleasant with Gallipolis, Ohio — collapsed into the Ohio River without warning, said the West Virginia Department of Transportation in a 2022 article commemorating the victims.

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A total of 46 people died in what was the “deadliest bridge disaster in modern history,” said the West Virginia DOT.

After the bridge collapse, Mothman sightings stopped, leading some to wonder if the cryptid was “a sinister harbinger of doom” or some sort of warning of the upcoming catastrophe, said the Smithsonian.

A mangled car is freed from its watery grave as a worker directs the operation from part of the wrecked Silver Bridge. 

A mangled car is freed from its watery grave as a worker directs the operation from part of the wrecked Silver Bridge. (Getty Images)

Now, Point Pleasant is home to the “Mothman Festival” each September, where “people from all over the world gather around our charming Main Street to celebrate their favorite cryptid during this one of a kind event,” the event’s website notes.

3. New Jersey Devil (more than a nickname)

One cryptid became so well enmeshed in local folklore that the National Hockey League named a team after it.

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The New Jersey Devils are not named after the prince of darkness, but rather the Jersey Devil, a cryptid supposedly haunting the Garden State since the late 18th century.

The mascot for the NHL's New Jersey Devils is shown skating across the ice.

The mascot for the NHL’s New Jersey Devils is shown skating across the ice. (Getty Images)

The creature is also called the “Leeds Devil.”

“They say it has a horse’s head, long legs with hooves, two short front legs and a bat’s wings. No one knows how tall it is,” says New Jersey’s official state website.

Some reports of the Jersey Devil say that it is six feet tall, while others say it’s only three or four feet tall.

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Regardless of height, the creature is reported to have red eyes and produce “loud screeching sounds.”

“It’s very ugly, and people are terrified after seeing it,” says the New Jersey website.

“During the day, the Devil lives in the wetlands. At night, it comes out to scare anyone it meets.”

New Jersey Devils' Yegor Sharangovich, right, celebrates beside teammate Dawson Mercer (#18) after scoring against the Pittsburgh Penguins during the first period of an NHL hockey game, Thursday, Feb. 24, 2022. The Devils' logo is a play on the urban legend.

New Jersey Devils’ Yegor Sharangovich, right, celebrates beside teammate Dawson Mercer (#18) after scoring against the Pittsburgh Penguins during the first period of an NHL hockey game, Thursday, Feb. 24, 2022. The Devils’ logo is a play on the urban legend. (AP Photo/Keith Srakocic)

The Jersey Devil has several equally bizarre origin stories, notes the state of New Jersey.

One takes place “on a dark and stormy night in 1735” when a woman named “Mother Leeds” was delivering her 13th baby.

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“No one knew for sure exactly what happened, but people had lots of ideas,” says the New Jersey website.

One said Mother Leeds herself “wanted the baby to be the devil,” while another states that the child “was born with a tail, wings and hooves and flew up the chimney.” Yet another states that the child “looked normal, but then it changed.”

Other Jersey Devil origin stories involve curses placed upon young women.

Urband legend creatures are both frightening and celebrated, with regional pride attached to one being spotted in a specific locale, according to folklore expert Angus Kress Gillespie, a professor of American studies at Rutgers University in New Jersey.

Urband legend creatures are both frightening and celebrated, with regional pride attached to one being spotted in a specific locale, according to folklore expert Angus Kress Gillespie, a professor of American studies at Rutgers University in New Jersey. (iStock)

One telling of the tale states “a town put a curse on a young girl who fell in love with a British soldier during the Revolutionary War,” the New Jersey website says. “When she gave birth, it was to the Jersey Devil.”

A similar story says that the Jersey Devil was born after “a gypsy cursed a girl because she didn’t give the gypsy food.”

4. Wendigo, a ‘cannibalistic monster’

While Sasquatch, the Mothman and the Jersey Devil do not have a history of being inherently violent toward humans, the same cannot be said for the Native American legend of the Wendigo.

The Wendigo, also spelled Windigo or Wiitiko, is a cannibalistic creature described in the folklore of Algonquian-speaking peoples, says The Canadian Encyclopedia.

A rendering of one of the descriptions of the Wendigo is shown here. 

A rendering of one of the descriptions of the Wendigo is shown here. (iStock)

These peoples include the Ojibwe, Mi’kmaq, Abenaki, Algonquian and many other tribes/First Nations across the United States and Canada.

The Canadian Encyclopedia says that “according to most Algonquian oral traditions, a Wendigo is a cannibalistic monster that preys on the weak and socially disconnected.”

A person becomes a Wendigo “after his or her spirit is corrupted by greed or weakened by extreme conditions, such as hunger and cold.”

Other stories tell of humans becoming possessed by a Wendigo.

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Wendigos are described differently according to various tribal traditions, says The Canadian Encyclopedia, but typically have ashen skin; large, sunken eyes; sharp teeth; and a distinctive, foul odor.

The Wendigos are said to live in the forest, searching for the next person they can consume.

The Wendigos are said to live in the forest, searching for the next person they can consume. (Bryan Steffy/Getty Images)

Some legends say Wendigos have antlers or horns or a skeleton that is visible through its skin.

Wendigos have been part of Indigenous folklore for generations, and the first European to report on their existence was French Jesuit missionary Fr. Paul Le Jeune.

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In a 1636 letter to his superiors, Le Jeune wrote,”This devilish woman … added that [the windigo] had eaten some Attikamegoukin — these are the tribes that live north of the River that is called Three Rivers — and that he would eat a great many more of them if he were not called elsewhere.”

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The cryptid even lent its name to Wendigo psychosis, a mental disorder that leads a person to become obsessed with cannibalism, says The Canadian Encyclopedia.

Christine Rousselle is a lifestyle reporter with Fox News Digital.

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You won’t find rows 4, 13, 14 and 17 on some planes – here’s why

March 22, 2023 by www.thesun.co.uk Leave a Comment

FINDING your seat on a plane can be quite difficult if you’re not someone who flies regularly.

However, there are some seats you will never have to look for when preparing for a flight, because they simply don’t exist .

Plenty of airlines remove certain rows from their aircraft, and it’s mainly down to old superstitions.

Rows four, seven, 13 and 21 don’t feature in some aircraft because of cultural associations to different numbers.

In fact, Ryanair, Air France, Singapore Airlines, Cathay Pacific, Qatar Airlines, Emirates, KLM, Iberia and Lufthansa all skip row 13 on some of their planes, according to Euronews .

This is to do with triskaidekaphobia , or the fear of the number 13.

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The cultural fear of the number dates back to the 1700s when the “13 at a table” superstition was first documented.

That superstition states that if 13 people are sat at a table, one of those must die that year. The origin of the superstition is not clear, however.

Nevertheless, it has stuck around and people still view the number with fear or suspicion to this day, meaning airlines leave it out of their plane, to put their passengers at ease.

Lufthansa also leave out row 17 on their planes too.

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This is because the number 17 is also unlucky for some people because when viewed as the roman numeral XVII, its anagram VIXI roughly means “my life is over” in Latin.

In a tweet published in 2017, the German airline said: “Rows 13 and 17 are missing because these are considered unlucky numbers #bettersafethansorry,”

The airline explained in further detail on their website: “In some cultures, the number 13 is considered unlucky.

“That is why there is no row 13 in planes, because we respect the superstition. That way nobody who thinks that the number 13 is unlucky has to sit in that row.

“In some countries, for example Italy and Brazil , the typical unlucky number is 17 and not 13.

“Seeing as Lufthansa welcomes a lot of international passengers, we try to consider as many of these specific cultural beliefs as possible.”

Chinese airlines leave out row number four on their planes, because the Chinese word for four is similar to their word for death, which is pronounced with a different tone.

For this reason, buildings in China often go straight from the third floor to the fifth, without a fourth floor between them.

Number 14 is also emitted from some Chinese airlines for similar reasons.

In Mandarin the word for fourteen is similar to how you would say “is dead”.

It’s not just the airlines that avoid the number 13 – some hotels and cruise liners don’t have a deck or floor 13 either.

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2020 Grammy Winners: The Complete List

January 26, 2020 by www.nytimes.com Leave a Comment

The 62nd annual Grammy Awards were on Sunday. Here are highlights from the show :

  • Billie Eilish won five awards, including record, album and song of the year, capping a night that also saw multiple wins for Lizzo and Lil Nas X.

  • Our critics and writers weigh in on the best and worst moments . It was a big night for the Grammys’ rookie class , Jon Caramanica writes. Hear the Popcast dissecting the show.

  • Lizzo and host Alicia Keys kicked off the show by addressing the death of the basketball star Kobe Bryant .

  • The ousted Grammys chief Deborah Dugan is at war with the Recording Academy . In a speech, Keys seemed to reference the turmoil .

  • Check out the red carpet looks .

See the complete list of winners below:

Record of the Year

“Bad Guy,” Billie Eilish

Album of the Year

“When We All Fall Asleep, Where Do We Go?,” Billie Eilish

Song of the Year

“Bad Guy,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)

Best New Artist

Billie Eilish

Best Pop Solo Performance

“Truth Hurts,” Lizzo

Best Pop Duo/Group Performance

“Old Town Road,” Lil Nas X featuring Billy Ray Cyrus

Best Pop Vocal Album

“When We All Fall Asleep, Where Do We Go?,” Billie Eilish

Best Rock Performance

“This Land,” Gary Clark Jr.

Best Rock Song

“This Land,” Gary Clark Jr., songwriter (Gary Clark Jr.)

Best Rock Album

“Social Cues,” Cage the Elephant

Best Alternative Music Album

“Father of the Bride,” Vampire Weekend

Best Metal Performance

“7empest,” Tool

Best R&B Performance

“Come Home,” Anderson .Paak featuring André 3000

Best R&B Song

“Say So,” PJ Morton, songwriter (PJ Morton featuring JoJo)

Best Urban Contemporary Album

“Cuz I Love You (Deluxe),” Lizzo

Best R&B Album

“Ventura,” Anderson .Paak

Best Traditional R&B Performance

“Jerome,” Lizzo

Best Rap Performance

“Racks in the Middle,” Nipsey Hussle featuring Roddy Ricch and Hit-Boy

Best Rap Song

“A Lot,” Jermaine Cole, Dacoury Natche, 21 Savage and Anthony White, songwriters (21 Savage featuring J. Cole)

Best Rap Album

“Igor,” Tyler, the Creator

Best Rap/Sung Performance

“Higher,” DJ Khaled featuring Nipsey Hussle and John Legend

Best Country Solo Performance

“Ride Me Back Home,” Willie Nelson

Best Country Album

“While I’m Livin’,” Tanya Tucker

Best Jazz Instrumental Album

“Finding Gabriel,” Brad Mehldau

Best Latin Pop Album

“#Eldisco,” Alejandro Sanz

Best Latin Rock, Urban or Alternative Album

“El Mal Querer,” Rosalía

Best Americana Album

“Oklahoma,” Keb’ Mo’

Best Song Written for Visual Media

“I’ll Never Love Again (Film Version),” Natalie Hemby, Lady Gaga, Hillary Lindsey and Aaron Raitiere, songwriters (Lady Gaga and Bradley Cooper)

Producer of the Year, Non-Classical

Finneas

Best Music Video

“Old Town Road (Official Movie),” Calmatic, video director; Candice Dragonas, Melissa Larsen and Saul Levitz, video producers (Lil Nas X and Billy Ray Cyrus)

Best Comedy Album

“Sticks & Stones,” Dave Chappelle

Best Musical Theater Album

“Hadestown,” Reeve Carney, André De Shields, Amber Gray, Eva Noblezada and Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell and Todd Sickafoose, producers (Anaïs Mitchell, composer and lyricist) (Original Broadway Cast)

Best Instrumental Composition

“Star Wars: Galaxy’s Edge Symphonic Suite,” John Williams, composer (John Williams)

Best Arrangement, Instrumental or A Cappella

“Moon River,” Jacob Collier, arranger (Jacob Collier)

Best Arrangement, Instruments and Vocals

“All Night Long,” Jacob Collier, arranger (Jacob Collier featuring Jules Buckley, Take 6 and Metropole Orkest)

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Best Recording Package

Chris Cornell, Barry Ament, Jeff Ament and Joe Spix, art directors (Chris Cornell)

Best Boxed or Special Limited Edition Package

“Woodstock: Back to the Garden — The Definitive 50th Anniversary Archive,” Masaki Koike, art director (Various Artists)

Best Album Notes

“Stax ’68: A Memphis Story,” Steve Greenberg, album notes writer (Various Artists)

Best Historical Album

“Pete Seeger: The Smithsonian Folkways Collection,” Jeff Place and Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)

Best Engineered Album, Non-Classical

“When We All Fall Asleep, Where Do We Go?,” Rob Kinelski and Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

Best Remixed Recording

“I Rise (Tracy Young’s Pride Intro Radio Remix),” Tracy Young, remixer (Madonna)

Best Immersive Audio Album

“Lux,” Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene and Nidarosdomens Jentekor)

Best Contemporary Instrumental Album

“Mettavolution,” Rodrigo y Gabriela

Best Gospel Performance/Song

“Love Theory,” Kirk Franklin, songwriter (Kirk Franklin)

Best Contemporary Christian Music Performance/Song

“God Only Knows,” Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone and Tedd Tjornhom, songwriters (For King & Country and Dolly Parton)

Best Gospel Album

“Long Live Love,” Kirk Franklin

Best Contemporary Christian Music Album

“Burn the Ships,” For King & Country

Best Roots Gospel Album

“Testimony,” Gloria Gaynor

Best World Music Album

“Celia,” Angelique Kidjo

Best Compilation Soundtrack for Visual Media

“A Star Is Born,” Lady Gaga and Bradley Cooper

Best Score Soundtrack for Visual Media

“Chernobyl,” Hildur Guonadottir, composer

Best New Age Album

“Wings,” Peter Kater

Best American Roots Performance

“Saint Honesty,” Sara Bareilles

Best American Roots Song

“Call My Name,” Sarah Jarosz, Aoife O’Donovan and Sara Watkins, songwriters (I’m With Her)

Best Bluegrass Album

“Tall Fiddler,” Michael Cleveland

Best Traditional Blues Album

“Tall, Dark & Handsome,” Delbert McClinton and Self-Made Men + Dana

Best Contemporary Blues Album

“This Land,” Gary Clark Jr.

Best Folk Album

“Patty Griffin,” Patty Griffin

Best Children’s Album

“Ageless Songs for the Child Archetype,” Jon Samson

Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling)

“Becoming,” Michelle Obama

Best Regional Mexican Music Album (Including Tejano)

“De Ayer Para Siempre,” Mariachi Los Camperos

Best Tropical Latin Album

“Opus,” Marc Anthony

“A Journey Through Cuban Music,” Aymée Nuviola

Best Regional Roots Music Album

“Good Time,” Ranky Tanky

Best Music Film

“Homecoming,” Beyoncé Knowles-Carter and Ed Burke, video directors; Steve Pamon and Erinn Williams, video producers (Beyoncé)

Best Country Duo/Group Performance

“Speechless,” Dan + Shay

Best Country Song

“Bring My Flowers Now,” Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker)

Best Traditional Pop Vocal Album

“Look Now,” Elvis Costello and the Imposters

Best Engineered Album, Classical

“Riley: Sun Rings,” Leslie Ann Jones, engineer; John Kilgore, Judith Sherman and David Harrington, engineers/mixers; Robert C. Ludwig, mastering engineer (Kronos Quartet)

Producer of the Year, Classical

Blanton Alspaugh

Best Orchestral Performance

“Norman: Sustain,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording

“Picker: Fantastic Mr. Fox,” Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River and Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)

Best Choral Performance

“Duruflé: Complete Choral Works,” Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)

Best Chamber Music/Small Ensemble Performance

“Shaw: Orange,” Attacca Quartet

Best Classical Instrumental Solo

“Marsalis: Violin Concerto; Fiddle Dance Suite,” Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)

Best Classical Solo Vocal Album

“Songplay,” Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco)

Best Classical Compendium

“The Poetry of Places,” Nadia Shpachenko; Marina A. Ledin and Victor Ledin, producers

Best Contemporary Classical Composition

“Higdon: Harp Concerto,” Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare and the Rochester Philharmonic Orchestra)

Best Dance Recording

“Got to Keep On,” The Chemical Brothers, producers; Steve Dub Jones and Tom Rowlands, mixers (The Chemical Brothers)

Best Dance/Electronic Album

“No Geography,” The Chemical Brothers

Best Reggae Album

“Rapture,” Koffee

Best Improvised Jazz Solo

“Sozinho,” Randy Brecker, soloist

Best Jazz Vocal Album

“12 Little Spells,” Esperanza Spalding

Best Large Jazz Ensemble Album

“The Omni-American Book Club,” Brian Lynch Big Band

Best Latin Jazz Album

“Antidote,” Chick Corea and the Spanish Heart Band

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